(Kadamba Kanana Swami, 09 May 2014, Bhaktivedanta Manor, England, Srimad-Bhagavatam 8.23.36)

In the Nectar of Devotion, we have a description of Kamsa’s moment of doubt. I like it! Kamsa sits on his throne in Mathura, in his ultimate mood of demoniac nature, and he is thinking, “Hah, what can Krsna do to me? Nothing! I have powerful malice. So many. I mean Keshi, you know Keshi, the ultimate personification of power. What is this Krsna going to do to me?”

Just then, the messenger runs into the court, “Your majesty, your majesty, your majesty. Tragic news!”

Kamsa, “WHAT?”

“Your majesty… Keshi!”

 Kamsa, “Noooo, not Keshi!”

“Your majesty, Keshi is no more.”

Kamsa, “No, he (Krsna) is too powerful, he is inconceivable! How is it possible? Maybe, maybe I should just surrender unto him? But what would people say, imagine me, Kamsa! No, I could not do that! Maybe then I should just go to Vrindavan and inflict pain on the residents. But how can I go when I’m too afraid to leave the palace because of Krsna.”

Isn’t it nice that even Kamsa, for a moment, was thinking, “Maybe I should just surrender!” Just see, that gives us hope. If that can come up in Kamsa’s head and heart then anybody has a chance. That is nice. Even the demons are touched by Krsna. Krsna is Bhagavan.

(Kadamba Kanana Swami, 11 April 2014, Cape Town, South Africa, Lecture at House Program)
Prabhupada danced on so many occasions! But the most importance statement about Srila Prabhupada's dancing is not his dancing in the Avalon ballroom, in the San Francisco concert, nor is it in London at the famous London Ratha Yatra where Prabhupada went up and down in love and ecstasy.

The real dancing that Srila Prabhupada did is described in the Markine Bhagavata Dharma. When theJaladuta had just landed in New York, Prabhupada began to write about how he was just a kāṣṭhera puttali– a puppet, a wooden doll, a marionette, just a puppet on strings, "Make me dance. Oh my Lord, make me dance." In other words, to become the willing instrument of Krsna, in Krsna's hands, as Krsna desires it! There, Prabhupada really danced! And the amazing thing that happened is that the puppet itself turned into a puppeteer and subsequently, so many puppets danced in the hands of that puppeteer. Prabhupada made so many men dance according to his will!

He made them go to remote places. He made them really do something very substantial. That was Prabhupada, he was a general undoubtedly, driving a mission to go forward, to conquer the world. There is no doubt about that. Prabhupada said he had no problem except one problem which was that he could not think small, and that was a fact! He never could think small. He would always think big, so big that it would blow the mind of all. There is no one who does not feel that Prabhupada's big thinking exceeds anything that they ever thought; that is a fact!

But that is Guru; he has a greater vision about our life than we have ourselves. He wants something greater from us than what we would do on our own. Therefore, Guru is always challenging us to do more, to go beyond our limits.

Srimad Bhagavatam is designed to help us see how Krishna is close to us. Bhagavatam begins to explain, how the creation is emanating from Krishna and how everything in this world is depending on Krishna. It says that, without Krishna, we cannot see and without Krishna we cannot hear… 
He controls all our essential functions. So in this way, everything relates to Krishna…
We see that the Supreme Lord is ultimately behind the sun. He supplies that unlimited energy! How can a thing be possible for the sun to keep on shining, shining, shining, shining, shining? and it never becomes diminished! and it’s heat – How’s it possible? 
It is the unlimited energy of the Supreme Lord!

(Kadamba Kanana Swami, 05/04/2010)